Casino design ireland

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Casino design ireland bills gambling hall sports book Both were materially privileged, untrained builders with a love of classical form and expressed it in landmark masterpieces; Jefferson built Monticello in Virginia, while Caulfield created the Casino. This page was last edited on 25 Octoberat

One of the highlights of my recent visit to Dublin was the chance to go round Casino Marino on the outskirts of that beautiful city. Small maybe, but beautifully formed, and if ever a building is like a Tardis it is this one. Construction work started in the 's on the direction of James Caulfeild, the First Earl of Charlemont, following the design of his friend Sir William Chambers.

Sir William is better known for designing Somerset House and the irony is that because of his other work commitments Sir William never got to Ireland to see his masterpiece. The Earl wanted an Italianate temple, in the neo-classical style, but he also wanted one with 16 rooms. It is fifty foot square, a masterpiece of elegance, balance and attention to detail.

Meanwhile the Casino remained in a state of disrepair until when an Act of Parliament was enacted to allow it to casino design ireland taken into state ownership. From the outside all is symmetry. Clever positioning of stone balustrades disguise the fact that it is on three floors — you only see one floor from ireland. It is designed on the plan of a Greek Cross, with a column on the end of each arm of the cross.

But while these columns mark the symmetry, some are hollow and bring casino design down off the roof. Chimneys are disguised by giant urns along the roof. Clever concave glass in the windows mean gambling age in ct from the outside you cannot see in, hiding the fact that one large ireland frequently serves two, and sometimes three, rooms on the inside. There is an elaborate, if tiny, entrance area with beautifully ornate parquet floors.

These exquisite floors, using rare woods, continue throughout the house. It was a tour which had taken the Earl nine years, travelling through Italy, Greece, Turkey and Canada online gambling. Of course it is a shame that it is no longer linked to Marino House. Of course it is a pity that it is not still furnished with original pieces, or adorned with original paintings.

And yes, it is a shame that constant wear and tear on the ornate floors by the public mean that carpet runners have had to be laid down as protection. But that is nit-picking: A more friendly, knowledgeable set of guides would be impossible to find. They are charming, like the building they so lovingly promote and look after.

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Irish and Italian artists, architects and designers have collaborated in an exhibition, parquet floors of exotic woods worked in geometric designs, is often lavish, the The Casino is one of Ireland's most gracious monuments. The architectural historian John Harris described the Casino as 'the perfect expression of Chambers' creative ability in small-scale design'. He hides features. The Casino at Marino- Ireland. This jewel box of a garden pavilion was designed by the great British architect Sir William Chambers for James Caulfield, 1st Earl.

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